Nico Muhly

During the first airing of my (John’s) show this year, I was perusing our new music playlist, a collection of about 100 new CDs that our DJs sometimes play.  I came across an artist named Nico Muhly and was immediately curious.  Being an ardent Nico fan, the name alone was about all I needed to stick it in the player and test it out.  The record, Mother Tongue, is composed of three pieces.  Each is a lush melange of vocal samples, electronic giggles, and traditional instrumentals.  Stylistically the pieces are more variable: falling somewhere along a continuous spectrum of baroque pop, freak folk, and minimal composition.  The first movement of the first piece, “Mothertongue: I. Archive,” proved most appropriate for my show Mysteries of the Organism, which plays experimental and otherwise mysterious music.

Halfway through the song, I got a text from Trevor, host of WVKR’s Zero Stress Group.  “Haha did they say 124 raymond ave in this song?”  I had heard it too.  Twice in the first two minutes, the address of Vassar College is distinctly heard.  “Archive” is a wash of vocal samples — a woman’s voice reading what is apparently the addresses of Nico Muhly’s various former residences.  Did he go here?  Did he teach here?  His Wikipedia page fails to mention Vassar, and a search of the colleges website yields zero results.  A true mystery for now, but one day we will know the truth!

Anyhow, a YouTube search brought me to this little gem though: Nico Muhly cooking for Fader Magazine.  Straight from the composer: “Cooking is like writing a piece in fast motion.”

Fader Magazine is of course one of the two big big sponsors of Levi’s/Fader The Fort, a super-corporate but ultimately entertaining concert space at this year’s CMJ Music Marathon.  Some of WVKR’s staff spent some time there over October Break.  Chairlift, the headliner at our Piano’s showcase, was there.  Ponytail and Dungen, among others, also had killer sets.  While Pop Art might’ve died (again) at the Fort, there were some cool shows there.  Proof:

That’s Paul (Station Manager) and Lizzy (one of the Music Directors).  Look at what a great time they’re having!

Best,

John

Cursillistas Live Session on WVKR

Last month Maine-based psychedelic-folk wonders Cursillistas dropped by our studios to record a live session of mostly new and unreleased material.  Having played an outdoor show on Vassar’s Sunset Hill with Lau Nau and Teeth Mountain the night before, the band seemed to have brought nature indoors, playing an epic set full of washes and waves of sound.  Recorded on a rainy day in WVKR’s cozy recording studio, this thirty-minute set is like a trip to some haunted fuzzed-out alternate world where where everything is warm and dear.  A dream?  In a word, yes.

Setlist:
1) Bed of Weeds
2) Bear Tomb
3) Bona Dea
4) When The Gallows Speak
5) Moccasin Tramp

Get it here!

WVKR SHOWCASE IN NYC!

WVKR is pleased that we will be teaming up with Free Yr Radio for an excellent bill featuring live performances from up-and-coming bands as well as WVKR DJ sets as part of this year’s CMJ Music Marathon.  Chairlift, who recently released their debut album and have a song featured in an iPod comercial are set to headline the showcase, with The King Left, Bumblebeez, BM Linx and The Pragmatic opening.  Both current and alumni DJs will be spinning throughout the night.  Tickets are free (!!) with a printout of the ticket posted above.  The show will be at Pianos, an intimate venue in the heart of York City’s Lower East Side. For more info e-mail promotions [at] wvkr.org.

Check out the bands!

Chairlift

The King Left

Bumblebeez

BM Linx

The Pragmatic

See you there!

Pianos
158 Ludlow St.
New York, NY
(212) 505-3733

Please note that this show is 21+.

Arsis- We Are the Nightmare

Here is a review from student DJ Mike, who hosts a show Monday nights 10pm-12am.  Tune in!

Arsis
Arsis’ 3rd full length is one of the most anticipated metal releases of ’08. 2006’s United in Regret was generally regarded as a letdown but <i>We Are the Nightmare</i> is a worthy follow-up to the now-legendary <i>A Celebration of Guilt</i> and <i>A Diamond For Disease</i>. This album may be their most cohesive yet; all ten tracks are as catchy and memorable as they are technically virtuosic. Songs such as the title track, “Sightless Wisdom” and “Falling Winds of Hopeless Greed” are sure to become anthemic metal sing-alongs and concert staples like “The Face of my Innocence” and “A Diamond for Disease.”

Though the Melodic Death metal well is all but dried up, Arsis inject the genre with a much needed shot of adrenaline, a cocktail of mind-blowing progressions, electrifying hooks, blistering technical death metal guitar riffing, and black metal-influenced vocals. Arsis’ distinct, refreshing sound; support from a respected label like Nuclear Blast; and a phenomenal new album have Arsis poised to conquer the world.

Babin’s Grade: A
Recommended Tracks: 1, 3, 5, 8, 9 (or all!)
RIYL Dark Tranquillity, At the Gates, Necrophagist, Into Eternity

Upcoming concerts @ The Chance  (6 Crannell St, Poughkeepsie NY)
http://thechancetheater.com/

5.7 – Nightwish w/ Sonic Syndicate
5.12 (@ the Loft) – Kingdom of Sorrow (ft. members of Hatebreed, Crowbar & Seemless)
5.21 – As I Lay Dying w/ August Burns Red, Misery Signals & Evergreen Terrace